实在难以想象导演为什么选择从画被盗就开始拍摄并能最终捕捉完全这样一个走向的真实故事剪辑的逻辑也很清晰双线时而并进时而各自平滑铺开一些关键信息采用插叙营造惊奇感“This suffering has to fulfill one basic rule for me.It has to be aesthetic.”他们能灵魂相通主要是各自能体会对方身上的痛苦并懂得欣赏美陷在limbo里的体态一个人的挣扎在某种程度上是另一个人的养料#Thessaloniki ·2020
配乐很棒 可爱的狗狗能出发去找松露就很激动狗狗有工作成就感我比较少 贪婪的人对着绝不再挖松露、愤怒的敲老式打字机控诉的ruffle hunter一再施展口技我求你了别再求他挖了 People are greedy.
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Life is an absurd game, we are here to live, and however vigorous we may look, we’re actually way more fragile than the grass flowing with the wind. Antonioni is such a slow-rhythm director, I could summarize this picture with an ancient Chinese 佛偈:「羞羞视频」 but this seems more or less 偏離 from his theme- searching for the life’s meaning.