Spielberg的主旋律正能量“News is the 1st draft of history”在后真相时代也许已不再如此但更重要的是保障发表的基础体系在Streep和男人开会的几场戏镜头调度印象深刻后面小秘书神马的就有点刻意了下半场水门事件还继续拍不
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反高潮的叙述生死狙击在线观看免费观看完整版不断铺垫tension又总是轻飘飘地放走附上导演Piff被提问时写的note:Establishing shots creates space so that audience knows where it goes. But when what and where is gonna happen are not important, establishing shot is not necessary. Monster: that one brings messages; In Latin-that one reveals something; Terror film-->characters not characters, but "monsters".
#2021 SIFF No.2 Chris Marker的纪录片总是兼并诙谐童趣与批判深思层层递进始于闲散的个体对话(街边裁缝:“最近影院在上映什么”“五至七时的克莱奥”“我为什么要花钱买看不懂的电影”)结束于对政治与战争种族与自由的思考生死狙击在线观看免费观看完整版最后的延时摄影将巴黎的“美好五月”飞速掠过结局配着旁白“只要有监狱存在就没有自由”